It also includes The Grid, a supremely powerful modular environment for creating your own effects, instruments and more. Live’s closest rival is a DAW with a similar interface, plus powerful audio and modulation routing capabilities. It’s an easy-to-use solution to a long-requested feature that will no doubt delight those eagerly awaiting it. Alternatively, draw mode can be used - just drag over part of a clip and it will be placed on the main lane. To comp the recorded material one selects the desired section of a track lane, and presses the enter key to place it on the main lane. Take lanes can be viewed by right-clicking on a track header and selecting Show Take Lanes, and they’re displayed under the main lane in a fashion similar to multiple automation lanes. Comping works in a straightforward manner: record audio or MIDI over a looped section of the project and the data will still be recorded to a single clip, but each cycle will be placed on a new take lane. Performance and verdictįor those who use Live to track MIDI and audio performances, the new comping and linked track capabilities will be the most exciting addition. It also makes polyphonic aftertouch available on Live’s Push devices. MPE can be used without a compatible hardware controller, and can be programmed directly into the new Expressions tab next to the Notes and Envelopes tabs in the MIDI clip editor. MPE also features release velocity, which works much like the familiar ‘attack’ velocity, but applied to the end of notes. MPE makes it possible to pitchbend individual notes, plus there are now individual Slide and Pressure parameters for use as modulation sources with discrete values for each note.

Live now features support for MIDI Polyphonic Expression (MPE) for more nuanced control over compatible instruments.

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